#Using plogue bidule in pro tools 1st software#
#Using plogue bidule in pro tools 1st series#

This is important to me because I feel that 5.1 or 6.1 versions should sound as if you were listening to the same performance as the stereo recording but just with added dimensions. I appreciate what you have observed about the natural sound and preserving the dynamic range of the source. Thanks very much for the kind words and positive feedback Elektra. I have given me account, that using the VST BBE Sonic Maximizer, in an audio source stereo, and after conversed in Plogue with the V.I, themselves not the frequencies are extracted very well, or better said, the mixtures of the channels, not because?Īnd another point that I want to comment him Steve, Suite V.I and VI.I.I, for the music, seems me fantastic, but forĪudio of movie, is very very good, but leaves the VI.I or V.I some voices by the rear channels (SL, SR, CS), and isĭone me somewhat rare to listen the voices by the rear loudspeakers of my home cinema, some voices happinesses to Use the Suite V.I or VI.I in Plogue, is sufficient. I believe that, if, we have a good recording stereo PCM WAV with so alone to My intention, is to put me with the conversions of nobody, but if to say, that when many plug-ins is utilized, for, to maximize theĪudio, is finished killing the audio original source. Sound, dynamic, clarity al dialog.Creating an environment very pleasant for the ears. Steve permit me to tell him, that are you a genius Ursamtl, al to create similar plug-in for the music, I have not listenedĪnother plug-in with so much quality and so much dynamic as the Suite V.I or VI.I. Other VST plug-ins, they kill the Dynamical range, and if they kill the Dynamical range, they murder the sound. I think, that is not that so alone conserve the original audio, if not, that the improvement!!.īesides, the Suite V.I and VI.I, has a very good factor, and the fact is that conserves the Dynamical range of the audio source (and for my that to it improves). The quality of the VST Suite V.I or VI.I, is a fantastic sound, preserve all its quality of the audio original source stereo. Once it finishes, can close, and I will have the File DTS WAV 6.1!!!! The channel CS is a discreet channelĩ6000.hz It can be selected but this is not the caseĭirectory, will be the folder where will keep our file DTS.ĭTS PADDED, for: DVD-VIDEO (DVD Lab Pro, bears the DTS PADDED 6.1 to 24bits 48000…hz)ĭialog Normalisation, it abandonment to -31

It is executed, DTS Packer and this image appears I will codify a DTS ES 6.1 to 24bits 48000…hz

#Using plogue bidule in pro tools 1st series#

The DTS PRO SERIES can codify in the following way The audio WAV Stereo, worked with Sony Forge 8, past the DC Offset and 32bits float.Ġ2.

#Using plogue bidule in pro tools 1st software#

TwelveKeys Music Transcription Software 1.I' am going to codify an audio, to 24bits/48000…hz in 6.1, with the Suite VI.I and the Encoder DTS PRO Series.Ġ1.

Online catalog of ready-made groups Author.

Plogue Bidule 圆4 application was designed by the Plogue audio/DSP programmers and is intented to be an audio mixer/syntesizer The new paradigm of computer audio can be summed up in two words: 'real-time' and 'modular' ? both of which are embodied by one application. As he performs, a musician decides to add an LFO to a synth's filter cutoff knob, where no LFO existed before. It gets better: A sound is broken down into 256 individual bands, then each is tweaked one at a time in a unique way. Old hat, right? Now, imagine this: the same single output socket sprouting no less than eight different cables connecting eight different effects. Elsewhere, a MIDI cable links a MIDI input to a synthesizer, which is in turn connected to a mixer. More cables connect the effect to a mixer. Is this a familiar picture? Cables lead from a microphone input into a small digital effect. Top Software Keywords Show more Show less